Preview: VSL Synchron Bösendorfer Imperial

I collect sampled pianos. And I put them on a fight, when a new one arrives in my collection. As soon as I've purchased the Standard version of the Bösendorfer Imperial, I have therefore immediately compared it to their old Vienna Imperial (released in 2009).

They are really different instruments. The way to approach them is different. Bösendorfer Imperial seems to be smoother than Vienna Imperial, whose dynamics I've always found to lean toward the forte. The position of the piano relative to the player is different, with the Bösendorfer Imperial being farther, more into the space than under your fingers.

Vienna Imperial is a stronger piano. A studio piano, with a marked desire to be first, forward, in your face. Bösendorfer Imperial is more laid back. It has a larger dynamic range, but it dominates it better.

The room mics in the Standard version are fine for me. To be true, I immediately switched from the Room Mix (including the surround mics) to the Decca tree, containing all the room information I need. Others will want to enjoy the 3D feeling of the additional room mics, that can even be used for the new Auro 3D spatialization system.

As for me, I would instead like to have the Tube mic, only included in the Extended version, for that slightly far-from-the-hammers sound; but the included Condenser mic seems to have the right balance between brightness and smoothness, never being harsh. And, mixed with the Mid 1 pair it gives a perfect blend, incisive and full.

As much as I would like to focus on a single piano, I understand that the Bösendorfer Imperial is a much more "classical music" piano, whereas the Vienna Imperial is still a more "jazz club" piano. So, both seem to be useful tools in production. And both are incredible fun!