VSL Vienna Imperial vs. Embertone Walker 1955

Stiil looking for the perfect sampled piano, today I did another comparison. I pounded some Bach and Mussorgsky on the Walker (v1) and the Vienna Imperial. Both set at 64 samples of buffer. Both read from an external SSD and controlled by a VPC-1. Playback via a pair of Mackie HR-824 mkI.

The pedal, first of all: while neither the VSL nor the Embertone feature half pedal, the pedal release in the former is more gradual, and can approximate at least the effect of continuous release of the pedal. Not so the Walker, that is immediately cut. It is as if one has a long release in the sample, the other lacks it. Maybe the variable release sampling made by VSL also regards sustained notes.

The on/off activation of both the damper pedal and the soft pedal seems better balanced in the Imperial. With the Walker I can hear a change in volume when pressing one of the pedals. The Imperial only changes timbre. Also, I feel the pedal change noise to be too strong with the Walker. While missing some important features, I feel the pedal behavior of the VSL more natural, with even a hint of repedalling (that shouldn't be there, but can be clearly noticed).

The Walker seems to do ribattuto notes better. This is surprising, considering that it seems to remain behind during normal playing. Play big chords in the "Pictures at an Exhibition", and the sound comes a little after you expect it. It also seems to miss some notes sometimes. Not so with the Imperial, always perfectly in time.

The Walker lacks a little on the fff side of dynamics. The Imperial on the opposite side, with ppp always sounding a bit too loud. Both have a gorgeous sound, an excellent representation of the original instruments – rich and well blended, much on the wooden side, the old Steinway, clear and focused, a bit steely, the Bösendorfer.

Still, I find that the most playable piano in my arsenal is The Grandeur. The sample is not as accurate, yet I feel there is something right in the scripting.

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